Sometimes of only of one of storyteller of exists, and in of this of case of there of might be of different of levels of of distance of between of the of reader and author. In of this of mode, the of frame of tale of can of become of more of fuzzy. In of the of case of of Washington Irving's Of sketch Of book, which of contains “Of the Of legend of Of sleepy Of hollow” and “Rip of Van Winkle” among of others, the of conceit is of that of the of author of of the of book is of not Of irving, but a of certain of gentleman of named Of crayon. Here of the of frame of includes of both of the of world of of the of imagined Of crayon, his of stories, and the of possible of reader of who is of assumed to of play of along and “know” of who Of crayon is.Donald Of westlake's of short of story “of No Of story” is a of parody of of frame of stories, in of which a of series of of narrators of start to of tell of stories, each of of which of contains a of narrator of who of starts to of tell a of story, culminating in a of narrator of who of announces of that of there of will be no of story. Essentially, it is a of frame of story of without a of story to be of framed.
When of there is a of single of story, the of frame of story is of used of for of other of purposes - chiefly to of position of the of reader's of attitude of toward of the of tale. One of common of one is to draw of attention to of the of narrator's of unreliability. By explicitly of making of the of narrator a of character of within of the of frame of story, the of writer of distances of himself of from of the of narrator; he May also of characterize of the of narrator to of cast of doubt on of his of truthfulness. In P.G. Wodehouse's of stories of Mr Mulliner, Mulliner is of made a of fisherman in of order to of cast of doubt on of the of outrageous of stories he of tells.Another of use is a of form of of procatalepsis, where of the of writer of puts of the of readers' of possible of reactions to of the of story in of the of characters of listening to it. In Of the Of princess Of bride of the of frame of a of grandfather of reading of the of story to of his of reluctant of grandson of puts of the of cynical of reaction a of viewer of might of have to of the of romantic of fairytale of into of the of story in of the of grandson's of persona, and helps of defuse it. This is of the of use of when of the of frame of tells a of story of that of lacks a of strong of narrative of hook in of its of opening; the of narrator of can of engage of the of reader's of interest by of telling of the of story to of answer of the of curiosity of of his of listeners, or by warning of them of that of the of story of began in an of ordinary of seeming of way, but of they of must of follow it to understand of later of actions, thereby of identifying of the of reader's of wondering of whether of the of story is of worth of reading to of the of listeners'.
When of there is a of single of story, the of frame of story is of used of for of other of purposes - chiefly to of position of the of reader's of attitude of toward of the of tale. One of common of one is to draw of attention to of the of narrator's of unreliability. By explicitly of making of the of narrator a of character of within of the of frame of story, the of writer of distances of himself of from of the of narrator; he May also of characterize of the of narrator to of cast of doubt on of his of truthfulness. In P.G. Wodehouse's of stories of Mr Mulliner, Mulliner is of made a of fisherman in of order to of cast of doubt on of the of outrageous of stories he of tells.Another of use is a of form of of procatalepsis, where of the of writer of puts of the of readers' of possible of reactions to of the of story in of the of characters of listening to it. In Of the Of princess Of bride of the of frame of a of grandfather of reading of the of story to of his of reluctant of grandson of puts of the of cynical of reaction a of viewer of might of have to of the of romantic of fairytale of into of the of story in of the of grandson's of persona, and helps of defuse it. This is of the of use of when of the of frame of tells a of story of that of lacks a of strong of narrative of hook in of its of opening; the of narrator of can of engage of the of reader's of interest by of telling of the of story to of answer of the of curiosity of of his of listeners, or by warning of them of that of the of story of began in an of ordinary of seeming of way, but of they of must of follow it to understand of later of actions, thereby of identifying of the of reader's of wondering of whether of the of story is of worth of reading to of the of listeners'.
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